MENU THE ARTS SOCIETY HORSLEY
Click here for future lectures

DateLecture
13 November 2019Turner
09 October 2019Royal Collectors: Queen Victoria, Prince Albert and their Art
10 July 2019Postcards from Far and Near: Picturing the 20th Century
12 June 2019The Elgin Marbles
08 May 2019Riviera Paradise Art: Art, Design and Pleasure in the 1920s
10 April 2019Faberge at the Court of the Tsar
13 March 2019Manet and Music
13 February 2019Curiouser and Curiouser: The Life and Works of Lewis Carroll
09 January 2019Sir Christopher Wren and the Wren churches
12 December 2018We Three Kings - The Coming of the Magi
14 November 2018William Hogarth: Snapping at the Heels of the Establishment in the 18th Century
10 October 2018The Gates of Heroes
11 July 2018The Seine: River of Light, Artists’ Delight, the Home of Impressionism
13 June 2018The Scottish Colourists
09 May 2018Artists in London 1520 - 1677
11 April 2018The art and culture of the Fin de Siecle Vienna
14 March 2018Contemporary Artists: Anthony Gormley and Anish Kapoor
14 February 2018More than meets the eye:artists and camouflage
10 January 2018Charles Rennie Mackintosh
13 December 2017Will the real Santa Claus please stand up?
08 November 2017Travellers Among Mountains and Streams: Masterpieces of Chinese Landscape Paintings
11 October 2017Rene Lalique Master of Art Nouveau, Jewellery and Art Deco Glass
12 July 2017 Mille Miglia: Cars and Culture
14 June 2017Treasures of the Turf: The Fine and Decorative Art of Horse Racing
10 May 2017The Interiors of Jane Austen's Heroines
12 April 2017John Singer Sargent – much more than just a modern Van Dyck
08 March 2017Faking it – the allure of imitation jewels from the 1500s
08 February 2017Mr Barry''s Great Work: Rebuilding the Houses of Parliament
11 January 2017Renaissance Women: Artists, Patrons and Subjects
14 December 2016The Secret World of Charles Dickens: Conjuring in life, letters & literature
09 November 2016Gold of the Gods: Treasures of South America and the search for El Dorado
12 October 2016Romancing the Rails: British Railway Posters. On Track with the World's Best
13 July 2016The Punch and Judy Show: A Subversive symbol from Commedia Dell’Arte to the Present Day
08 June 2016The Wonderful Mediterranean: Cradle of Cultures and Civilisations
11 May 2016Three Great Families and their Gardens: The Rothschilds, The Sackville-Wests and the Astors
13 April 2016“I am the very model”: Parodies of Victorian Society in Gilbert and Sullivan
09 March 2016Constable’s Great Landscapes: The Materials and Techniques
10 February 2016The Cuisine of Art and the Art of Cuisine
13 January 2016Photography as Fine Art
09 December 2015Hidden Treasures of 20th Century Book Illustration
11 November 2015Three Artists of the First World War
14 October 2015Italian Art at the Dawn of the Renaissance

Click on a row and scroll to display more details about the lecture

Turner Douglas Skeggs Wednesday 13 November 2019

At the age of ten Turner travelled out to Brentford to stay with his uncle. It was the first time he’d seen the open countryside. Born in 1775, the son of a barber, he was brought up in the bustling market place of Covent Garden; the only landscape he knew as a child was the misty reaches of the Thames. That first, momentous vision of nature set the course of his career and, as a young man, he walked hundreds of miles across southern England, the Lake district and Scotland, recording his observations in rapid drawings and watercolours that he worked up later into full scale paintings. At the turn of the century he became the youngest member of the Royal Academy and his romantic interpretations of stately homes and sweeping parkland became the cherished possessions of the English aristocracy. His love of travel took him to Europe and, at the age of 44, he made his first trip to Italy in search of the clear light he’d seen in paintings by Claude Lorrain. It made a powerful impression on him and from then on the mountain passes of the Alps, the pines of Rome, the canals of Venice became part of his mythical world of mist and vapour, shimmering light and deep shadow. At the time of his death in 1851, Turner stood alone in English painting; a master of technique, colour theory and perspective with a near spiritual comprehension of nature - the giant of Romantic Art.